Sanctuary Windows
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The 1905
windows are art glass picture windows.
Not all of
them remained in the Sanctuary after the remodeling. One is in the
Fireside Room, one is in the parsonage entrance, others were
purchased by church members. Those remaining were releaded and
refurbished in 1971.

Balcony:
The Bible, open and
available to all, is given for our use and study.

9
Panel Window: a
sheaf of wheat (Communion symbol, and Jesus the Bread of Life);
Jesus prays in Gethsemane; two tablets with the Ten Commandment
North
Narthex: Christ knocking
on the door of our hearts and our lives. Christ ascending to heaven,
leaving his earthly body but promising the gift of the Spirit.
In
the Tower: The Heritage
Millenial window reigns with its sheath of grain symbolizing our
church's farm family heritage. The sheath's wrapper, labeled 1880,
recognizes the year our church was established. The window was
designed by Art Glass Limited and dedicated January 2, 2000. The
window is a symbol of God's love as it has been demonstrated to us
by our ancestors since 1880.
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The 1971
windows are blown glass, crafted by Emil Frei Studios.

CREATION
Window (South side )
creation unfolds from left to right. The flow of life produces fish
and streams and soaring birds, with a sweep that suggests creation
is still going on. Adam and Eve are set down as caretakers of this
beautiful world.

CHRIST
Window (North) the
life of Christ is depicted from left to right. Symbols are the
Bethlehem skyline and baptismal shell, the table of the Last Supper,
the rugged cross, the hill of Calvary, the full tomb and then the
resurrection sunburst. Each symbol is a station of memory. Note
also the Chi and Rho (X and P) forming the first three letters of
“Christ.” The Chi Rho appears on the lower right within the body of
a fish, a symbol for Christ in the tomb.
Chancel
Appointments
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Baptismal
Font: made of marble,
given by the Sunday School children in 1930. The chip in its base is
from a long-ago attempt to move it. The cover bears a lamb, symbolic
of Christ: Good Shepherd, Lamb of God.
Pulpit:
The large raised podium
intended for preaching the Word of God. Its elevation intended not
for visibility alone, but for emphasizing the importance of
preaching.
Lectern:
The smaller stand from
which the Scripture readings are presented.

Altar:
The center of worship.
It is made of marble, and is free standing as the focus point of the
congregation. The Altar becomes a Communion Table when the
Sacrament is included in worship.

Large
Hanging Cross: this
bronze and aluminum cross was made by Architectural Bronze Studio.
The four tips of the cross bear symbols of the four Gospel writers,
each crafted of molten glass poured within silver threads (cloisonne).
The eagle at the top is for John; the winged man on the right arm is
Matthew; the winged lion on the left is Mark; the winged ox at the
bottom is Luke. The trefoil on each arm symbolizes the Trinity, and
the circle speaks of both unity and eternity. The metal pieces on
the circle also suggest the crown of thorns. The Floor Candelabra
were made at the same time and of the same materials.
Paraments:
the term used here for
the hangings on the pulpit, lectern and Communion table. Another
term is antependia (something that hangs in front). By
whatever name, they display the colors of each season in the church
(liturgical) year, and bear symbols reminding us of sacred themes.
The
Tapestries
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Made for
St. Lucas by Robert Harmon Studios.
They are
woven of colorfast acrylic yarn, and were designed
to reflect
our history and theology.

BAPTISM:
(North Sanctuary Wall)
The shell, symbol of baptism, pours out spiritual blessing through
the life of the Church. Three structures represent St. Lucas'
history. The Chi Rho stands for Jesus Christ. The four Evangelists
are portrayed by the same symbols used on the chancel cross: Matthew
(winged man), Mark (winged lion), John (winged eagle), Luke (winged
ox).

COMMUNION:
(South Sanctuary Wall) The Chi Rho is repeated; like the cross it
symbolizes Christ. The wafer and chalice motif represents the
Communion elements. Loaves and fishes speak of the feeding stories,
and suggest that feeding of the multitudes continues to this day.
TAPESTRY
OF LIFE: (left Chancel)
The hands of God are stretched out at the bottom, supporting all
life. The seed in the earth shows new growth springing up, becoming
the burning bush in which God was revealed to Moses. The flames also
symbolize the Pentecost gift of the Holy Spirit. At the ends of the
branches are the six days of creation.

TAPESTRY
OF CHRISTIAN VOCATION:
Christian living is rooted in Christ, each vocation (calling)
supported by the witness of belief. The six branches represent work
in sciences, crafts, arts, social sciences, the Christian home and
the church. The bursting bud is symbolic of our maturing life in
Christ. The hands of God are stretched downward, bestowing the grace
of daily bread.
The
Tower Bells
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Of the five
bells in its history, St. Lucas now owns three, and uses two.
The ropes that
ring the bells are visible from the South Narthex.

The first
bell is still in use
today. It was cast locally and was purchased for $11.35. Donors
names are on the inscription. They were leaders of the church and
members of the Young Men’s and Young Ladies’ Society.
A
second bell was a part of
the church that became the (since-replaced) sexton’s home. It was
cast in 1887, and never actually belonged to St. Lucas Church.
The
1910 bell was purchased
to add a bell to the church built in 1905. The inscription reads
“Glory to God in the Highest.” This bell has a tolling hammer,
which was used during the Lord’s Prayer (tolled three times) at
funerals and to announce a death. The bell tolled the age of the
deceased, and the listening countryside generally knew for whom the
bell tolled. The custom, without accounting for ages (!), continues
at St. Lucas funerals.
A
fourth bell from Park
Hill Cemetery, used to toll at funerals, was sold after World War II
and before we acquired the cemetery. The fifth bell, from the
former St. Lucas schoolhouse, is now in our church vault.

The emblem
of the United Church of Christ. It is based on the ancient
Christian symbol known as the Cross of Victory, or the Cross
Triumphant. Traditionally, this symbol—the cross surmounted by the
crown and all of it atop the orb— signifies the sovereignty of the
Risen Christ over all the world. The orb, representing the world,
is divided into three parts to signify Jesus’ command to his
disciples: “You shall be my witnesses in Jerusalem and in all Judea
and Samaria and to the end of the earth.”
For the United Church of Christ,
this emblem, rich in the traditions of the past and alive with hope
for the future, is particularly appropriate. For this reason there
appears on the perimeter of the emblem the name of the church and
the text: “That they may all be one.”
Some Vocabulary
Narthex:
The entry areas for the Sanctuary. In
the St. Lucas building, we have a South Narthex (the parlor portion) and
a North Narthex (the north entry).
Sanctuary:
The body of the church where
the congregation is seated for the services of worship.
Chancel:
The portion of the sanctuary where the altar, as the center of worship
is located.
Pulpit:
The large raised podium,
intended to be used for the preaching of the Word of God. Its elevation
is intended not merely for visibility, but more specifically to
emphasize the importance of preaching.
Lectern:
The smaller reading stand
from which the Scriptures are presented.
Font:
The marble receptacle which contains the water for baptisms.
Some
Geography
The original St. Lucas sanctuary was
located at what is now the back portion of our worship area. It
extended from south to north, from the south narthex to the north
narthex. The dome was at the center of the original sanctuary.
The stained glass windows in the north
narthex were in the original choir loft, which was located behind the
altar and pulpit. The large window, now at the rear of our sanctuary,
was on the side in the original floor plan. Church expansion in 1971
turned the sanctuary 90 degrees.
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